NEXT RIDE OUT by Katie Garibaldi

Edgy and sweet is Katie’s story.

Rockin’ Americana, Folky and groovy songs, carried with an angelic voice, delivered by the sumptuous Katie Garibaldi, in her 6^th release “Next Ride Out” – this is a CD to be heard!

It starts with the tasteful, yet quirky Folk/Americana song Say The Word, that sets the scene for this journey of an album. The guitars and Katie’s voice really shine in this song and as a young performer (only 25) with such a plethora of recording releases to her name already, she implores her listener, “I’m far from perfect / do you think that I’m perfect / Say the word..”. She invites us immediately into her world and we are already hooked to adventure with her. “I like to travel the world with my guitar strap on my back…”, a symbol of her album concept in general – for the music and the concept is about Katie, this shining young artist, ready to go on the road and deliver her songs to the world. Say The Word is surely a radio friendly song.

Second track, Hey, Hey Darlin’ sets the pace for this album as it rises up a notch to a huckabilly style country shuffle, effectively showing off Katie’s strong band (Dave Lockhart on bass, Jake Wood on Drums, Michael Molenda on Guitars (also producer of the album), Michael Gallant on piano and organs, and Tom Luekens on viola and violin, plus organs.

By the third track, A Love Without Chains we’re brought down and into a groovalicious journey, Mississippi style, with a dynamic full band and the nice touch of the female backing vocals. It speaks of a young girl’s yearning for love, and to get it right. This song is equally a radio friendly track. “Can’t Give Anymore”, track 4. I love the hook, and the edginess of the guitar. It’s like a dichotomy of edge and angel, with Katie’s voice so angelic against the quirkiness of the music.

Certainly my favorite song on the album is Without Trying So Hard, because Katie sings to me as if I’m the only person in the room. The production is softer and we really get to see the range of Katie’s gorgeous voice. She sings of love, yet even though we know she is young, it seems so mature, like she has felt the depths of the blues with love. “If I reach deep down in my soul / could I find the grace to forgive / Could I find a way without trying so hard… disappointments they broke me down / and broke me in / but expectations just make me want to rise up and work it out again / must look like a shadow of the woman I used to be / and if you’ve ever been in love chances are you’d sympathize with what’s left of me”

Another single choice is You’ve Already Got Me which is full of rock, vigour and edge, yet again juxtaposed with Katie’s lovely and sweet vocals. It’s this dichotomy of “edgy and sweet” that certainly will create Katie’s signature sound for fans to remember her

But the best song of all, on this album, is Went Too Far (Foot In My Mouth). It is the most quirky of all her songs, and the most unique in production and lyric. This is the song that I feel, if she pushed it, could set her sights on the greater playing level, because it’s left of center and very interesting.

Her voice is almost like Sarah McLaughlin, and a touch of Feist, on a bed of edgy rockin’ grooves, country feels and memorable melodies. Next Ride Out is a strong album that combines the classic Country and Americana sounds, with contemporary rock edginess that lifts you high, and a folk quietness that calms the soul with Katie’s voice. This album is certainly playing with lots of styles but it all works, because all the songs tell a story: Katie’s story. Get it at www.katiegaribaldi.com

Juliet Lyons-----My Siren Song

Juliet Lyons is a classically trained musician from New Mexico; yet in her debut CD, My Siren Song, she draws on genres and influences from around the world. She describes her music as “New Age, Chill Out, Classical Crossover”. Juliet is a soprano with a soaring voice and impressive range that touches on the better qualities of Celine Dion and the amazing ethereal soaring voice of Lorenna McKennit. She is deeply, spiritually-oriented and her lyrics speak of that journey.

Her songs layer Middle-eastern/Indian percussion with electronic effects and layered vocals – most effectively rendered in the "My Siren Song" and "Dreaming of the Hajar" tracks. The song "Peace Within" stands out because it is more stripped down and that lends to its authenticity and power. The remix of "My Siren Song/Do You Fear Me" at the end takes it all in a different direction into electronica.

There are parts of this debut CD that might some might say are overproduced – too many layers and effects. Juliet has such an authentic voice that listeners might find themselves yearning for more simplicity. All-in-all this is an impressive debut from a talented artist/singer who writes deep songs from her soul and who touches on many intriguing sources for her expression.

Juliet is a fan of reggae and Caribbean music, and it would be great to hear how she handles the powerful base and drum-driven rhythms and counterpoint singing of those traditions.

Juliet Lyons is definitely an artist to watch!

Amy & the Rock Sisters

Colorado based Amy and the Rock Sisters have produced a great little CD. Throughout there are hints of folk and Christian rock, but the major influence is country.

Amy's vocals are reminiscent of classic country singers in the vein of Emmy Lou Harris or Nancy Griffith.

"Don't Let Go" with its chunky acoustic rhythm section, is the stand out track from the collection. It's upbeat, catchy and danceable. Yet even through the slower songs, the bands confidence and energy carry this CD along.

Another stand out track is Tennessee Two Step. Amy's rich voice reveals some nice turns of melody while the mandolin compliments the melancholy atmosphere. This is a beautiful song.

The CD's production is excellent and the band is solid. On the piano based "Angel", the band goes all out for some celestial heavenly arrangements. "Hands on the Wheel" brings the CD back down to earth with a tale of love moved on.

Amy Mathesius

Amy and The Rock Sisters.

Colorado Blue

myspace.com/amytherocksisters

Happy Ron--"Terribly Happy"

Happy Ron’s brand new album “Terribly Happy” is a wonderful example of how a Songsalive! member develops through Songsalive! When Happy Ron joined us last year as an Elite member, he had a bunch of funny songs, and nothing recorded, but a lot of hope and promise. He got involved in our songcamps and workshops, and listened to feedback on his recording dreams. Whether it’s a direct result or not, this album shows Ron’s signature edge in a clear and entertaining way: his humorous songs and stories are really well expressed in this recording. A live production, with a multitude of instruments, each song takes us on a hilarious journey of Happy Ron’s observations of life, love and the twisted dark side of that. His voice is as gravely as Tom Wait’s and his band is as dynamic as any you’ll ever hear. This is a funny, sad, poignant, entertaining, story driven album that is worth listening to. Check it out!

Oh, and by the way readers, it is important to add that the title track of this album “Terribly Happy” was written by Happy Ron and 2 other songwriters at Songsalive! Songcamp, where songwriters are brought together to write a song in 1 hour. This is just one of the great opportunities of being a Songsalive! member.

October 29th Songsalive! LA Showcase at Genghis Cohen

The Songsalive! Showcase at Genghis Cohen on Wed Oct 29 was an opus of amazing talent. Once again the room was electric with awesome talent, fabulous sound and chemistry that sees this as one of the best songwriter nights in Los Angeles. We run these particular showcases as “songwriters in the round” where all songwriters are on stage together, each doing a song in turn, and often jamming on each others’ songs. Who performed? Co-hosts gilli moon and J.Walker. (J’s spoken word pieces not only make the night really interesting, but open up the notion that Songsalive! is not just about songs, but lyrics, poetry and creativity. Notwithstanding, each time he broke into verse, eveyone began to jam on it… beats, bass, piano twinkles, vocal adlibs. It really made his pieces come to life, and he’s really amazing when he starts freestyling. Gets the whole room tapping their feet and hollering. Liz Nash, Songsalive! member, was spectacular with her quirky and catchy songs. She brought a percussionist, Andy Sanesi, who beat so well on his box, that he was invited to jam on all our songs. He didn’t need an invitation though, he loved to bring the beat on whenever he could. David Babich, Songsalive! Elite Member, filled the room with romance with his thought provoking and sensitive songs. He’s a natural on guitar and voice. Zachary Provost, Elite Member, is undoubtedly one of the finest pianist/vocalists we’ve come across through Songsalive! He’s a cross between Bruce Hornsby and Stevie Wonder. His songs are amazing. We see great things happening for Zach. Next show: Wednesday November 26 7pm. Don’t miss it!

www.songsalive.org/losangeles

Deborah Crooks--"Adding Water to the Ashes"

Deborah Crooks' CD, “Adding Water to the Ashes”, is a shy work of art filled with songs that come across as delicate and personal, but honest. This is a CD of folk rock ballads set to jangling guitars and ringing chords, and peppered with evocative dustings of piano, violin and accordion.

“Adding Water to the Ashes” is an excellent production and I was drawn in immediately by the high standard of musicianship and songwriting. There are assertive drum beats and imaginative arrangements throughout the CD. These qualities are especially evident on songs such as Living Proof, Miss Me Sometimes, and the innocent poetry of Where You're Going.

It's clear though that over and above the musicianship, Deborah Crooks' voice is the star attraction of this work. Reminiscent of Jesse Sykes, she sings with a quiet assertion, that gently demands to be heard. The instruments seem to gather round her presence like rivers flow in to a lake.

“Adding Water to the Ashes” left me with the hunch that Deborah Crooks is someone who loves, and needs loved. Yet she avoids falling into the "Anguish trap" that so many balladeer lyricists are prone to. If anything she seems a little detached from the action as if she is more of a calm witness than a disorientated participant. Instead she speaks more than once of the importance of connecting. Whether to our modern environment, to nature, or to loved ones, she makes it all relevant.

“Adding Water to the Ashes” an impressive CD and Deborah Crooks is a mature wallflower in bloom.

Available at cdbaby.com

Alex Varlow - Tutwiler Station

Alex Varlow's 6 song compilation, Tutwiler Station is an attic of styles and influences. This is a CD of atmospheres, kicking off with my personal favorite, Wollondilly blues. This is a gritty up tempo blues and also the only song with vocals in this collection. The (unknown) female singer has a vital and confident voice reminiscent of Lucinda Williams that lends itself completely to this unrepentant tale of leaving a lazy husband.

After this song, the atmosphere turns more introspective with an acoustic based psychedelic essence decorated with incidental clicks, bells, and synths overlaid with some excellent discordant guitar work.

"Blues At", is another outstanding track. This is more of a composition than a song. Haunting in its stark, threadbare orchestration of piano and violin, it is dirge like and somewhat funereal.

Alex Varlow covers a wide spectrum of ambience in a very short time. His music is rock and it's jazz mixed with classical moments all brush stroked into abstract musical pictures. Each song will keep the listener involved in the journey from first note till last. By the end, I was left with the impression that I'd walked through a small personal art gallery.

Loren Davidson - "Everyday's a Holiday"

Loren Davidson's CD carries a clear and simple message. There's more to life than working all day and then getting uptight about it too. Davidson's philosophy is all about slowing down and finding your own pace of life.

"Everyday's a Holiday" is an easy listening, Carribean influenced CD. There's a hint of country western to it and a little touch of Crosby, Stills and Nash. Clever semi-satirical lyrics bounce along on steel drum beats accompanied by some subtle sax playing. This rum and coconut flavored CD is all about enjoying life and putting the past to rest. As Loren's relaxing vocal style tells his tales, our problems seem to ebb harmlessly out with the tide.

Davidson makes little secret of his views on the work week and its inherent stress. He has obviously had enough of that lifestyle, yet songs like "Going Coastal" offer remedy as opposed to bitterness and complaint. Soothing breezes on lazy beaches are his cure-alls. His fine songs and musicianship are his therapy. Liberal amounts of alcohol certainly seem to help too.

Other songs of note are the catchy "Raspberry Rum" and the bluesy "Mental Health Day". Most of the album is upbeat and optimistic but I have to mention "What It Is", which though a slower sadder song, is one of the standout tracks.

This is a great album to ease away your workaday troubles and make you take that trip to the sun you always postponed. This CD, to quote Loren Davidson himself, "(It) is what it is and it's all good." I'd say Loren Davidson is a man who is exactly where he wants to be in life. Where's my hammock?

Kaye Reznick--Song Goes On

Kaye Reznick’s new 2008 CD Song Goes On is a solid submission to the Folk genre with themes on Family, God, and Place – all from the perspective and wisdom of a strong woman.

In listening to these songs I found it a strange sensation as Kaye’s lovely voice has the intonation and melodic beauty of Doris Day – singing folk! I think if her voice were echoed more by beautiful harmonies picked out by the instruments in the arrangement then it would be even more powerful.

Bind to Another Soul is a blues song that starts out with the expectation that the blues brings, but that doesn’t quite arrive. I really wanted to hear Kaye growl a bit and let it go both with her voice and instrumental work with the raw power that only the blues can bring.

The beginning of each song has a very accomplished fingerstyle intro and the quality of her playing left me wanting to hear her instrumental work featured more. As it is, Kaye’s playing mostly fills the background. A few more instruments, here and there, such as bass and mandolin or pedal steel would have added a fullness and depth to make her songs fuller and more complete.

This is a very enjoyable album. The songs are all well-written and communicate a life of spirit, strength, and wisdom.

Dan Schteingart - 3 song review

Dan Schteingart is a talented, multi-media artist who is a composer and songwriter, a photographer, and a television producer.

Dan’s music is definitely pop-oriented with sweet melodies and heartfelt personal lyrics.

"Keely's Song" has a breathy cinematic-theme-song feel with catchy melodies perfectly rendered in voice and sweet jangling hooks on the guitar. A modern indie ballad turned lullabye - - a love song for a child. I love this song because its strength lies in its simplicity. It achieves a real warmth and intimacy.

"Racing The Sun" offers a nice, but simple repeating four-chord melody on piano, with vocals that sound influenced by Chicago. There are jangling guitar chords – pop melodies – the background voice in the chorus is a little radio-like and indistinct and it could be more harmonious. The progression at the 4-minute mark is jarring a bit – almost as if someone changed the station to 70’s guitar rock. This song has a lot of promise and some memorable passages. With some more work on a tighter structure and making this simpler it could become a classic.

"A Girl Becomes a Wife" (2004) is a more muddled pop song. Dan’s voice is harder here and I think that the strength of his voice is when he sings softer and sweeter. There is less compatibility with the instruments on melody. The guitar solo is very canned pop and doesn’t pick out the melody or inspire. The song could use vocal accompaniment and in theme and execution it could become a nice duet with a female singer. This song sounds a bit overproduced and should be simplified because that is where Dan’s strength lies.

I definitely enjoyed Dan’s music and am looking forward to seeing what new material he comes up with next.


http://www.myspace.com/danschteingart

Ralph Buckley – The 9/11 Conspiracy Blues

On his web site and his CD Baby page Ralph has written a long prologue for this album. Here is a sample where he shares his thoughts and intent very directly: "At the end of each day, as I lay myself down to sleep. I am constantly made aware that the world in which we've always known and trusted...is coming to an untimely end. I am no longer able to forget that which is in front of me...every which way that I turn. There is now a daily occurrence of police violence...the lies of the agenda in Iraq, the spread of unprovoked war into Iran. There is fear everywhere...." The 9/11 Conspiracy Blues is very much a protest album that speaks in a raw and honest voice as to what is f'd up about American politics and society. If you like your music with harmonies, hooks, and catchy lyrics then this one is not for you. If you enjoy hearing raw and direct protest speech, where musically much references and evokes the tunes of the late 1960's and early '70's then you will find this of worth. The title song, The 9/11 Conspiracy Blues uses straight and simple blues chords without any artifice. The song Morphine reminded me of early Bowie. And the piano and vocals on God's Tears surprisingly references John Lennon. Later you will encounter The Greatest Song Ever Written - which wasn't - and it used the "F" word and various permutations of it over and over and over. So this album may not be to everyone's taste but if you have been wondering where the protest and political songs have been there is no need to worry – Ralph is on the job and giving the finger to the Man. Check it out.

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Amy Clarke - After the Fall

Amy Clarke is classically trained with an award winning background in vocal, music and theatre arts. Her numerous credits in performance sheds light on the intensity of the artist's rapid development to producing the 5 song ep, "After the Fall", (2006). This is a beautifully written, arranged, performed and creatively mixed cd. Hearing influences of Heather Nova and Tori Amos in most tracks, Amy's individual talents shine forth in this recording. The music arrangements move fluidly with piano and keyboards, programmed electronic percussions, stringed orchestrations, guitar, bass and strong vocals. (Lyrics are found at her website, not included with ep.) Each tune has it's own rhythmic, trance-like mystical motions of sound throughout the arrangements, strong vocals emphasizing the changing world of our existence, reminding us of the foolishness of holding on to how it used to be. Track 1, "After the Fall", is recorded live with only Amy singing and her piano. The crisp vocal starts out immediately "AM, New York, September Fourth, After the Fall"....and her piano leads the melody along as the listener hears a chilling story of post 9/11 world. Track 2, "Not Your Landscape", takes on political challenges to women's right to choose or perhaps, in a broader view, how our rights are slowly being taken from us after the world had said "never again." The track "Wolf" is superbly arranged with guitar, bass, strings, effects and vocals all done by Amy. Additional drums on this track were by Dustin Cook. Amy is a focused artist with a vision and purpose both to entertain while urging listeners to be more aware of what's surrounding us. With her background in Theatre and a flair for the dramatic, the love song "January Mourning" turns the mood to love, loss and a heart yearning to be free, although recognizing there may not be a happy ending. Amy hits the piano keys with a force of power, a sorrow emanates as the chords hit the minor tones. A song to close one's eyes, reflect on the moment of letting go to what once had such promise and hope. Amy's gift is in telling a story we can all relate to..."now I guess I'm going to have to make up my own morning...guess I'm gonna have to disappear...oh my dear....guess you were the one". Amy closes the cd with "Fight or Flight", a song who's intro is sensually charged, groove-driven with piano pointedly laying over the beats. Words to symbolize rising from the ashes as the Phoenix. "Don't tell me there's nothing left to do, When giving up is what they want from you. Rise rise rise rise rise she said, No this isn't the end. I don't believe it is over yet." With the artist now working on her first full length cd, I believe it's just the beginning of a beautiful, poignant and fruitful artist's journey.

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Loren Davidson - "Tropical Troubadour"

Loren Davidson describes his music as "contemporary folk music with a tropical attitude." What fun it must be to lounge on the beach all day, being best friends with the bartender at the nearest resort bar, and swaying in the breeze with the tropical conchita's that seem to be available in Loren Davidson's world. This cd of 10 eclectic originals, Loren is our own "Jimmy Buffett of the west coast", adding his own style to the music that made songs like "Margaritaville" such a classic that many have tried to copy, but no one has, well, until now. Produced ably and with a good feel for what Loren's all about, grammy-nominated artist/songwriter/producer and Songsalive! member, Roberta Donnay, has captured the quirky lyrics on these "novella's with music" completely, wrapping them like a present with strong upbeat arrangements that really give you the feel of being in the tropics. "Key West Habit" kicks off this delightful cd of tunes that relish in the life of the beach, sun, fun and some broken hearts. Loren was inspired by a visit to Key West in 2003 and he may not have come back but destiny called. The cd continues with a full band sound, calypso rhythms and lyrics that twist and turn like an orange on a mamosa. The second track, "Can I Give It Up Yet" is the working man's ode to freedom in the tradition of "Take This Job and Shove It" as it states on Loren's website. There is a tune, Jolly Mon, that has a "celtic feel" to it, and is Loren's take on the Jimmy Buffett tune. Each track has it's own identity, story and history behind it. Other tracks of note, "Hopeful Romantic", "Angel in the Morning/Devil at Night" and "Little Parasol". If you want to cry in your beer listen to "Little Parasol" and "Two-Hour Boyfriend". Whatever mood your in, if you want some beach music, with a tropical flair, and a good laugh with a chaser, try Loren Davidson's "Tropical Troubadour".

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ECOTONIC - “When Sparks Fly” and "Out of Ashes"

“Energy” is what I feel when I listen to Jason’s album. It comes alive as soon as you put the CD on. Track 2 “Live” is an electrified Bon Jovi-esque guitar ridden rock song with positive, motivating lyrics. The sound is big and vibrant, and you can imagine how Jason’s band would sound live – full, strong and rockin’. In fact, when I listen to Jason Ebs’ voice, I feel like I’m hearing Jon Bon Jovi, and he has the looks to match, though way different, with his cool dreadlocks and very stylish, cosmopolitan and good looks (of course you can’t tell listening to the Cd. I happen to know him). “Walking Dead” is a more sedate song on his electric album, with interesting guitar sonic textures and a lovely female vocal by Janea that works well with Jason’s voice. She guides us through the song almost Fleetwood Mac-ish, with the still driving rock edge in the background. A special comment about the rhythms of Chris Slade, drummer on Jason's albums, who played with AC/D.C. “When Sparks Fly”, the album, is hard to claim as a current sound. The album is 80s retro rock (which can be ok if it’s done on purpose), and the cool part is that it meets a new-age motivational message. It’s encouraging to still be able to hear a band that loves to record “live” and provide the listener a full sound. Jason Ebs hasn’t taken any shortcuts when it comes to his production: everything is happening – with music, energy, and voices. What I like about it is that what you hear on CD, you know it translates into their live show. What I don’t like about it, is it just doesn’t seem current, and we’ve heard this sound before, back in the eighties. Now, when I put on his acoustic CD “Out of Ashes” I have to say this this album is way cooler and way more hip for this new era of music. Wow. Jason? What’s with the eighties retro, dude? “Out of Ashes” is by far a more fabulous album with Jason and Janea sharing vocals. It’s organic, percussive, rhythmic and timely. We need to hear these songs on radio, on internet and over any air waves possible. “Need Your Love” is a very sensual and playful song with the duo singing together and bringing an eclectic array of musicians around them, such as acoustic guitar, percussion, and even some claps and finger snaps. It reminds me of Jack Johnson with 2 voices. “You’re Alive” has similar spunk, and Jason’s voice is almost like Peter Gabriel in this song, and the vibe is very sixties hippie retro, in a good way. I listened to this CD driving to Vegas and it was a perfect accompaniment on my journey. Not sure if I like the lyric “even if it’s draining life is good”, but the sentiment of the song was spot on, for sure. Jason Ebs’ Ecotonic sound is definitely his own – “Ecotonic” is his own word which means – “a place where 2 or more musical styles collide, characterized by fluidity, change, danger, transformation and risk”. I applaud Jason for his prolificness. Let’s hope that he knows how to market his many styles he represents, as both albums are polar opposites, yet interesting in both.

• Buy Jason Ebs' music on CDBaby

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De Luna - In Honor Of the Ancestors CD / Toward The One CD / Dreams and Old Lovers CD

Our Elite Member De Luna is an absolute breath of fresh air. Her focus is the harp, and how she plays it so well! On her MySpace page she has songs from a few albums which pieced together this first part of the review: Listening to "Variations on Pachabel's Cannon" (from 'In Honor of the Ancestors' CD), I was entranced by her playing, and felt so peaceful and calm listening to her music pieces. This is the kind of music I would listen to any time of the day, especially when I want to relax. By the third track, "Bella Samba" (from her 'Toward the One' CD) the tone uplifted to Spanish overtones, with a great little samba percussive feel to go nicely with her harp. Fourth MySpace track "Quan Yin" (also from 'Toward the One' CD) took us to a new place, more oriental, with rain sticks and asian style playing. De Luna is a very versatile instrumentalist, but her versatility transcends beyond just her instrument. I was so taken by De Luna's music, that after I completed this review, I requested for her to send me her entire collection on CD, and she did. I received In Honor Of the Ancestors, Toward The One, and Dreams and Old Lovers all on individual CDs. Let me tell you that for the last 2 weeks, the ONLY music I have been playing on my stereo are these 3 CDs. De Luna has certainly filled my music cup. All the albums are exquisite, and show an amazing versatility with her harp, plus sensibility of crossing musical genres. 'Dreams and Old Lovers' by far is my favorite album of the 3, though it's SO hard to compare because they are all great. But I like how it starts. The first track "Spirit Call" starts with a faint gong, and then, slowly, increasingly, it brings bells, violin, harp and various sounds that are perfect for meditation, massage or deep thought. The whole album takes you on a journey from Asia, to Middle East, to Celtic and Medieval times... The combination is quite entrancing. All the albums are. De Luna is not only an excellent harp player, but her arrangements for each piece are unique and emotion-filled. De Luna has a keen sense of the various musical styles, and brings us to different places around the world, all through the medium of her fingers and her harp. A Lovely sound, a lovely sentiment. No wonder she has the Dalai Lama as a friend on her myspace page. www.myspace.com/delunaharp

Martie Echito - "It's Not That Easy"

An Elite member since 06, Martie's song "It's Not That Easy" is a smooth, groovy journey of slick musicianship, crisp vocals and a wonderful hook. This song is truly catchy and delicious. I played it several times because I was entranced by his musical sensibilities. Everything about this song is professional, from the writing, to the performing, to the production, which Martie takes all credits. Martie's voice reminds me of Michael McDonald, and his band is truly hot. I was right there with him till the very end. His lyrics are profound and something we can all relate.. a message of loss about a loved one, about someone walking away and a relationship breaking up. His verses are tight, and rhyme well, so easily translated through his smooth vocal arrangements. "You won't say if its someone else, or just the unrest inside yourself, wish I knew how long, that you're love for me's been gone". His chorus is an outstanding hook, "It's not that easy, it's not that easy, just to walk away, walk away". Sounds simple right? And simple works. He keeps going back to it all the time, and I've been humming it all day ever since I heard the song. What can I say? One of the best songs I've heard all year, and I heard this in December. So get yourself over to Martie's website and take a listen for yourself! http://broadjam.com/hornito

Renee French - "Two Way Mirror"

A voice of maturity, expressive lyrics and layers of emotion, Austin's Renee French sings the title track, "Two Way Mirror", as though her heart has just been broken. With each verse the sorrow pouring out of her vocals is genuinely real. Solid percussion and an offbeat rhythm move the listener through the varying degrees of this song about love lost. "I know what you see in your own reflection is not the same as my perception", Renee sings with a breathy, earthy smoke-filled lounge sound, while a saxophone wails mournfully throughout the melody. So, the songs continue to shed light on the many moods of love, or as Austin's Michael Barnes reviewed as "a cloudy bit of creativity". This is a cd of adult contemporary ballads, mixed with jazz influences and strong, torchy vocals by a songwriter who is determined to give the listener a piece of her soul and heart. The songs, "Bedroom Window", and Matagorda Skies", are arranged with accordion adding a southwestern mood that's not quite country but closer to adult contemporary. The track "Turn these Tides" offers our heroine a glimmer of hope for forgiveness and rebirth with a love that has grown apart. While I kept waiting for a more upbeat song to break through after the first five tracks, I realized a peak of intensity on this recording would not come from a melody with faster energy, but from Renee's ability to draw her listener into a world of romantic entanglements with her intelligent lyrics, weaving a tapestry of words into 4 minute movies, each with their own soundtrack. "Two Way Mirror" was produced by Dave Sebree at ASM Studios in Austin, Tx. The backing musicians include Roscoe Beck, (Dixie Chicks' touring bassist), Steve Samuel (Jerry Jeff Walker's drummer), Eric Daub on piano/keyboards and Dave Sebree on guitars. Shawn Sanders on Cello, Eric Daub, piano and keyboards, Van Wilks, guitar on "Deep Like A River". Vocals were produced by Debbie Beinhorn, Beinhorn Vocals. While most songwriters are creating music to fit popular trends, Renee French is confident in her own talents, to make a cd of beautiful adult contemporary music, that clearly stands out as unique from the usual fare we hear everyday.

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Katie Garibaldi - "Fallen Angel"

Katie Garibaldi is an endearing, developing artist who's 5th album release, "Fallen Angel", 14 tracks defining universal themes of love found and lost, pain and recovery, vulnerability and strength to stay positive during not so good times. The tender soprano vocals by Katie emit emotion as well as a passionate flair for the delvery of her lyrics, most songs expressing perhaps a personal experience or intimate observations. The title track "Fallen Angel" has a wonderful musical arrangement with Katie's words sung openly, being vulnerable and truly from the heart. A simple arrangement with Katie's accented vocal make this a standout track with Katie sharing her talent on slide guitar for this song. For a young artist Katie shows great promise whether performing with her band or solo on this cd. Other tracks inviting a listen for a fun cd includes an eclectic "Went to Far (Foot In My Mouth)", with a groovy bass line and varied drum beat. A lot of music with fourteen songs to digest but this will introduce you to Katie Garibaldi. You'll hear hints of adult contemporary ballads, ("I Will"), funky pop rock ("Always, Every Time"), and straight ahead good time music ("I'm Still Wild"). Katie credits Dave Lockhart (bass) and James Akin (drums) for being the studio or live band. Katie is also credited for the keyboard performance on the romantic "Nothing Says It Better (Than Your Eyes)". The music on this cd was recorded and mixed by Living Dream Productions. Sienna Digital mastered and manufactured "Fallen Angel." The cover art and inner sleeves compliment the music inside with a home spun feel, wild, free, spirited and warm like Katie.

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Genevieve - "This Little Thing Called Life"

A powerful, unique and chilling to the bone songwriter, Genevieve writes from deep within, and the music on her first cd, "This Little Thing Called Life", is a worthy debut. Solid melodies with dreamy arrangements compliment Genevieve's intensely emotional storytelling. The moodiness of the second track, "My Albatross", echoes in your head with the textured sounds and Genevieve's reflective lyrics lend well to the listener's sensitivities. We can all relate to Genevieve's view of the world and find hope in her truthful, positive and encouraging words. This musical experience is top entertainment - voice, musical arrangement and exquisite delivery by all involved. Most of the cd is produced by Genevieve and Marc Aaron Jacobs, with the track, "She Lives Alone" produced by Genevieve and Les July. Place this cd in your player and you'll let it repeat over and over. On a few tracks the production plays it safe while you wait for Genevieve to burst out even more with her edgy, emotional tales. The opening track, "Lead Me Home", is an adult contemporary hit by any songwriter's standard. The words flow with the melody in the chorus, "I'm a little lonesome tonight, need someone to help me feel right, cause there's a little sadness inside that's got to go..." Her timing is perfect on the notes, and the energy she shares is sweet and tender so you want the "angel to lead me back home" that she describes in her lyrics to appear. Songs like "Don't Let It Go" and "This Little Thing" share a reality that we have to be strong in life to carry on despite the obstacles. "...And you can make believe but it's you who'll be deceived" she sings simply on "This Little Thing", an adult contemporary lullaby that will put peace in your heart on those cold, doubtful nights that most artists are quite aware of during their life's journey. The sensual side is shared in "There's No Place" with a romantic piano playing in the background and a steady drum beat to lead one to want to dance slowly, lovingly, with the person you care most about while looking in their eyes and holding them close. When was the last time you brought your true love flowers or a gift from the heart? Just when you believe that love can last forever she segues into "When You Were Mine" and paints a picture of love lost while memories keep the embers burning. The bluesy, smokey voiced "So Good For Me" has a harmonica added and pristeen trumpet solo by Ron Schaer to give the sounds a fuller dimension as well as the album a diversity from the ballads and adult contemporary styles Genevieve handles so well.

Picking up the pace a bit, "She Lives Alone" is another stand out track with backing harmonies, the piano/organ, bass, lead guitar and drums keeing the mood funky and upbeat amid the despair described in the verses. The fuzzy guitar intro and drum beats for "Slippin Away" set this song apart from the earlier ballads and she is ready to move on but can also seductively coerce you into staying around. "I just can't control myself, I see what you are all about"...."I'm not directly in your view so you keep looking for somebody new....but somehow you keep slipping through my fingers...slipping, slipping away." Genevieve's expressive voice never lets you down and keep drawing you back for more. Recommended for live performance as well - Genevieve is a developing artist to reckon with as she commands a strong presence on stage. She is actively touring, performs with a stage persona brings her audiences to their feet at the end of the set. We are looking forward to her next cd which she says is in the works for 2007, but I will keep this one playing for a long time till we get the word the new one's out.

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Alex Giordani - "Essence"

A driving, well-produced, contemporary rock album, Alex’s “Essence”, contains an amazing mix of rock-steady tunes with U2 influences. The album starts with Alex’s powerful vocals on “Somebody’s There”, moving into his heartfelt lyrics and voice on “Rosemary”, the country-rock influenced “Arrive On Time” and the rockin’ synth riff-based song “I’ve Never Wanted”. Alex’s thought-provoking, mature lyrics take you through life’s journey captured best in his title-track “Essence”, with burning guitar solos by Marco Rinalduzzi and lyrics that speak of our inner struggles. There is a wealth of composition and production experience blended into each song.. And Alex’s strong and deep vocals carry through from the start to the closing, reflective track “ White”. Alex is an international recording artist, professionally producing this album in Rome. He is joined by a host of talented artists including Claudio Storniolo, Allessandro Canini, Simone Sello and Derek Wilson. Hat's off to Alex for hot rockin' album!
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Grey Dog - "Psycho Acoustic Phenomenon"

Psycho Acoustic Phenomenon is a strong rock/pop album by the band "Grey Dog". Their hot rock anthem song, "1969", reached the Top 10 on the 2007 Independent Music Network charts. The composers, Alan Nathanson & Steve Schoenholz, showcase their foot-tapping rock-riffs, acoustic & rock guitar talents throughout this album. Alan and Steve are tightly & professionally supported by George Bunnell on bass & Jim Salisbury on Drums. Their solid songwriting skills & straight-forward album production are reminiscent of 60's and 70's. "I Gotta Learn", "I Don't Know" carry on well as rock ballads. The country-rock style ballads "If You ever change your mind" & "Cry Forever" are touching songs of lost love. The uptempo rock songs "Gotta Have You", "End of My Rope", and "Think about it" keep the pace moving with intriguing changes and rhythm breaks. And the album is rounded off by the spacy-chorused psychodelic groove tune "Love Emergency". All-in-all, a wonderful rock-n-roll debut album by "Grey Dog". Be sure to check them out at www.greydogmusic.com

Michael Gregory - "Cool Heat Certified Cool"

"Cool Heat Certified Cool" is a collection of 14 original songs written by Michael Gregory, a long time Songsalive! member and coordinator for our Grass Valley chapter. This is a refreshing change of pace that allows the listener to kick back, pour a glass of wine and enjoy these beautiful tapestries of jazz flavored tunes. Songs are performed by "real live musicians" with no "samplings, loopings or synthetic sounds" to make this a sweet album to listen to. With the silky vocals of Aimee Wild, ("Body Heat", "Love Is"), the listener grooves on a "smooth jazz ride" with sax, bass, drums and guitar adding a texture to the arrangements. "Summer Samba" is perfect for romantic urges while "Exotique" playfully takes on a different dimension with horns capturing the spotlight. Michael Gregory, the creative force behind Cool Heat, has written a wonderful set of songs that I kept playing over and over again. His purpose was to make a cd that sounded "live" and spontaneous. This is a great way to look at production where most artists are meticulous with overdubs, samplings or loops or whatever that makes sound happen but this cd is straightforward good music! The track "Urban Reggae" is still jazzy but has a funky Jamaican feel to it. Also credited on the album: alto and tenor sax by Bob Chapman who's charm is in bouncing the notes off the other players. Bob has played in many big bands and jazz combos all over Northern California and Nevada. Jim Iron's bass guitar is tight on riffs as he "approaches each song with a unique and very melodic concept." It is noted that Jim plays "both fretted 4 string and fretless 5 string basses with equal skill." By the rock steady beat of each song, drummer John Basa is a “drummers drummer” showing a talent for his "strong, diverse ability to play any style of music and make it look effortless." He knows when to hit the cymbals for emphasis and when to swing us back into a peaceful calm. Performing on guitar is singer, songwriter, Michael A. Gregory, who has "appeared in concerts, studios, TV, radio and various clubs all over the east and west coast." Michael is a true lover of music who assists other songwriters who come up to his neck of the woods in Grass Valley, CA. I will say, when you listen to this album a few times, you'll definitely agree, this is "Certified Cool".

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Happy Ron

Meeting Happy Ron for the first time, I thought I was walking into a Tom Waits surreal cartoon. Always with hat, and a 3 day growth, Happy Ron has this twisted cynical grin on his face at all times, a twinkle in his eye, and always a new bright idea on taking on the music industry, uttering from his lips. “I want to be a cartoon character in a South Park episode”, he said to me. And so he may end up being, because Happy Ron has the ambition and desire to do such a thing, spreading his happy satire to the world. His songs are comical and twisted, and he’s definitely found his niche when it comes to marketing his music: funny satirical original music. The San Diego Union Tribune says Happy Ron is "Intentional Unintentional Comedy". Jessie Johnson says it's "The only real music to come out in the last 10 years!" Many describe Happy Ron’s music as a cross between South Park and Frank Sinatra. Make 'em laugh, then make the girls all misty-eyed! His song “Terribly Happy” which launches immediately on his myspace is a beautiful oxymoron of love lost and crazy friendships, and just like the title, you feel just as terrible and just as happy when you listen to it. His song “Pitter Patter” could easily be translated for children as a kind of sing a long song. “tick, tick, he’s got the nervous tick”… all of a sudden I can visualize a dog scratching it’s back or something comical and cartoon-ish. Yet we soon know it’s definitely adult humor, as like a lot of his songs, it’s all about romance, in a funny, quirky kind of way. “I hope she won’t be nervous with me”, he sings, and I’m suddenly feeling like I’m listening to Woody Allen at his therapist in one of his dark, yet equally funny, movies. “Hair, Hair, she’s got curly hair, hair, hair, to touch I do not dare”. The neuroses of Happy Ron’s characters are so plausible, so eccentric, so Woody Allen, and so funny, it’s hard not to listen to his songs. A piano player at heart, Happy has a lot going for him: good lyrics, strong concepts, and a deep rooted ambition. Give him some cash and a sparkling studio to go wild in and polish up his songs, and then deliver at a comedy club, Happy Ron will be on his way to landing on his own stage that no one can touch.

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Debbie Hennessey - "Rustic Heart"

Debbie Hennessey's unique singer/songwriter artistry carries a comfortable strength in her solid vocal performance and interpretations of 8 beautiful songs on Rustic Heart, a 2002 cd release produced by Rye Randa at Rye Music with mastering by Jason B. Arnold at Skyline Sound. Knowing that Debbie is preparing to release a second cd soon, taking a trip back to the artist's debut was a warm feeling like visiting a dear friend you'd left to travel on another road a long time ago but felt like no time had passed once renewed. Rustic Heart is a rhythm pleaser whether rocking with full band as in "This Ain't About You" which kicks off the cd with a great musical arrangement and instruments not overwhelming the production -or the simplistic acoustic textures on "Midnight to Cinderella". Debbie is known for her solid stage performance and the tracks chosen on the cd are sure fire hits played live. This cd has several tracks written by other songwriters but Debbie's presence delivers each songs lyrics as a story all her own. Backed by stellar musicians (Rye Randa, Michelle Krell, Paul Reeves, Gil Gagnon, Terry Glenny, Renee Carly, Dena Risha, Mark Luna, Paulette Miechel, and Pat Bautz) each song can be a favorite and played often. What makes Rustic Heart attractive to this listener, whether you like country, pop or rock, is when reading the liner notes and seeing how each of the above artists worked together to make Debbie's cd such a package of musical warmth, words worth hearing, and the production compliments the voice that gives the music life. Favorite tracks include "This Ain't About You", "Midnight to Cinderella", "Blue Bird", "If I Have To", and "Just Short of Glory", the latter song reminds us of the power within lyrics, a strumming guitar and Debbie Hennessey's voice letting us know it was "almost a perfect love." We're definitely looking forward to your next release, Debbie, as Rustic Heart was almost perfect from what I heard. Make sure you get a copy of her new CD also, "Good As Gone".

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James Higgins - "Passing Story"

James Higgins is the sun setting on a long day. The smoke at the end of an empty bar room. The dusty boots of a seasoned cowboy. His voice is Dillon meets the Doors for the gunfight at the OK Corral. Very visual is the song “Twenty Tons of Thunder”. A folk song with country back porch roots. The CD is loaded with rich guitar tones accompanied by shakers, wood blocks and congas. The production is very back roots which complements the vocal tones. On tracks like “Balayeur” there are some biting electric guitar leads that tear into the soul. My favorite song on the CD is “Was It Love in Summer”. The mood of the song is one of sadness and wonder. Beautiful acoustic guitar with a harmonica begging for the answers. Was it love in summer, was it love at all. The puzzling question for which there is no answer.

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TOM KOZLOWSKI - "Between Two Fires"

Tom writes in his bio, "Although “Between Two Fires” is Tom Kozlowski’s first formal release, it is by no means his first collection of songs. He has many songs in his catalogue..." It's amazing, because this album alone has 17 tracks, a testament to him being a prolific writer. Tom Kozlowski's album "Between Two Fires" is a mix of great stories, metaphors of life, love and all interwoven musical groove and guitar laden rhythms. "Jagged Edge", his opening track, reminds me of an Eagle song, or even John Mellencamp. A catchy hook and nice rhythms, it's the perfect opening to the album. "Like a Pearl" has a lovely feel, and is somewhat sentimental and melancholy, which Tom's voice (quite sensitive yet strong) tells a woven and interesting story. Very Paul McCartney like (recent albums), in his story telling and melodies. Tom is from Ohio, and you can tell that he has a sound that would captivate the middle American audience, with echoes of roots, Americana and rock. I really enjoyed "Hunger" for its sensitivity in the music and his crisp, well done backing vocals. The electric guitar solo is not too intrusive and along with the percussion and acoustic guitars, the laid back groove is so easy to listen to. By track 4, "Never the Same Love Twice", Tom makes a departure into a blues jam and a bluesy story with a hook that is easy to sing along to. All in all, Tom is a talented songwriter and his collection of songs in "Between Two Fires" speaks of truth, good stories, nice laid back rhythms and a really excellent voice. A real pleasure to listen to.

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Holly Light - "Forgiveness Road"

Holly Light is a superb singer/songwriter/performer so in tune musically far beyond "the girl with guitar" the room spins from the swirling energy of each song whether a floor stomping bluesy rocker or heart breaking emotional ballad. The new cd, "Forgiveness Road” is a collection of songs expressing thoughts on life, love, loss, state of human affairs, and the renewal that follows. The strength of Holly Light's songwriting is the cool, carefree way the artist allows her music and vocals (raw, open and breathy) to ebb and flow with feeling, commanding one's attention. Holly is developing and maturing as an artist as well as gifted storyteller. The songs are recorded and mixed with a fresh sound, masterful production ably directed by Australia's gilli moon, whose production and collaboration on this cd offers new insights to Holly's own serious body of work without detracting from her spontaneous energy. Light captivates consistently with a lusty, haunting raspy effect to her voice as did Janis Joplin or Melissa Etheridge. The title track, "Forgiveness Road", sparkles with influences with Delerium style electronics adding to the textured layers of the arrangement giving a depth to the honest lyrics "I wanna say I'm sorry baby/for making it so hard for you to just/hold me/take me as I am" while drawing the listener in as though the song was meant for them. The polished production compliments Light's crooning and singing as on the funky, upbeat "Love Ya" - a fun, hip shaking dance tune for any party. The studio band includes Jeff Dean on bass; Bruce Watson, guitar; gilli moon, piano, keyboards and backup vocals on most tracks; Adam Gust and Brian Burwell on drums; Jesse T and Michelle Mangione, on percussion. Adding r&b flavors by guest artists, Little Sista, on a few tracks, but especially with the group's backup vocals on "Red, White and Blues", Holly increases the edginess of this politically motivated number and raises the temperature on the cd a few notches. "Give It Everything You Got", is a Bonnie Raitt styled tasty slice of inspired blues rock that gets your body moving. Produced and arranged by Australia's wunderkind Gilli Moon, (who is masterful in giving Holly's talent the care it deserves as did Jimmy Iovine for Patti Smith or Steve Lillywhite for early U2), "Forgiveness Road" is a brilliant cd that should be on a lot of Top Ten lists for 2007 independent music. Each track recorded and mixed by the talented, inventive Matt Thorne, who along with Holly Light shared co-producer credits. Put the top down, turn up the volume...You'll enjoy the open country ride cruising "Forgiveness Road".

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Jean Mazzei - “Breathing Under Water”